I understand it. We had to show how making love to someone is visceral. We had to convey how much of yourself you give over.
I feel duty-bound to remind you in the gallery that you are not on spring break. You are not waiting for the Flipper and friend show at Sea World. It is a Capital murder case!
I've been happily clearing my Sunday nights to watch Sharp Objectsthe TV adaptation of a book I loved very much — and boy, has it been worth it. Watching Gillian Flynn's creepy page-turner come to life with the magic that is Amy Adams and Patricia Clarkson is such a joy. The show is dark, secretive, captivating, and of course, sharp.
Stoic about the soulless life he leads in this small town, the unnamed older man Cal, we later learn, played by Eric Dane takes pleasure in ordering around the young nubile girl with pink-tinged long blonde hair. As he talks to her, the camera focuses on her face. The dreamy eeriness of the moment makes the shot that follows all the more jarring: As Jules just in her underwear remains seated on the bed in the background, we see the man putting a condom on his hardened penis. The frame keeps Jules in focus, allowing the full frontal nudity in front of us to remain in soft focus.
Amy Adams stars as Camille, a reporter who must deal with the demons of her past when she returns to her hometown to report on the deaths of two girls. Camille has just left a psychiatric hospital following a rather gruesome suicide attempt, and she finds herself empathizing with the dead girls Can Camille face down her past and overcome it, or will it consume her as it seems to have consumed everyone else in her life?
She may have left her tiny Missouri hometown years ago, but the place still haunts her dreams. Louis apartment. The older girl, who turns out to be a younger version of Camille Sophia Lillisawakens the woman they find asleep in bed by digging into her hand with a paper clip.
The short films of French director Bertrand Mandico have long served as a kind of secret handshake among film lovers who yearn for a cinema of unrestrained, shape-shifting desires and defiantly outlandish aesthetics. A few days later, I was delighted to speak to him about the development of his delirious baroque sensibility, which I find so refreshingly different from the carefully calibrated aesthetic of so many contemporary art films. Everything in The Wild Boys transforms: boys into girls, humans into animals, etcetera.
Asked about his upcoming nude scene on the FX series, an episode that coincidentally airs tonight, the Emmy nominee began his answer with humor, seamlessly transitioned to a real message, and then signed off with another joke. We are not sexualized people. So, to be turning 50 on September 21, and having a very loving, connected sex scene is sort of blowing my mind.
And nothing has ever been quite so resplendently red as these ruby slippers. Dorothy has them with her throughout her time in Oz but it is only when she is reminded of what she has really always known — that home is the best possible place to be — that she is able to realise their power. And yet, like everything in Oz, the slippers are so beautiful and beguiling they actually argue against the moral of the movie.
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